For black women, Camille (Meghan Goode), professor of anthropology, pointed out in the voice-over at the beginning, “The number of men who can actually be dated is very small….We are dealing with the male deficit in real life. .”
Nevertheless, finding a man is only one of the problems that Camille and her closest friends face. The successful entrepreneur Tai (Jerry Johnson) is gay, and it is difficult for her to meet women herself.
At the same time, Quinn (“Empire” Grace Byers) is struggling with her fashion design business, forcing her to seek money from her wealthy mother (Jasmine Guy) reluctantly, while Angie (Shoniqua Shandai) is trying to pass if she can manage to shut up with her white co-star on the weird aspects of the show, then she will play a role in the aforementioned musical version of “Going Out”. (The songs that “Harlem” showed during the rehearsal period alone are worth seeing.)
As for Camille as the center of the show, she misses the person who managed to deal with the new headache at work and escaped, and the new head of her department (played by Ubi Goldberg) does not seem to approve of almost everything she does.
Nevertheless, what is interesting is interesting, and because of the combination of writing, actors and playfulness embodied by the “going out” wrinkles, although they are familiar, the characters and situations always appear here. The show also tends to related topics, including Tye—she is marketing a dating app for black people—want to know if she will be seen as a betrayer for dating white women.
“Harlem” easily completed the confidence that its core players usually lack in the first season of its 10 episodes, and there are many tracks left for more people. In the process, it provides another reminder that a series does not need to reinvent the wheel to provide a valuable journey.
“Harlem” will premiere on Amazon on December 3.
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