On Friday, the Grammy-winning singer released “Red (Taylor’s Version)”, a re-recording of her acclaimed 2012 album “Red” as part of her ongoing mission to regain ownership of early music .
Although the original album has 16 songs, “Red (Taylor’s Version)” is an epic 30 songs with music collaborations with Phoebe Bridgers, Gary Lightbody, Ed Sheeran and Chris Stapleton. It also includes 9 previously unreleased songs that did not become final products in 2012.
Guessing from reactions on social media, revisiting the past is not always a bad idea.
“I’m crying @taylorswift13 #RedTaylorsVersion. It’s amazing,” one fan wrote on Twitter, while another said: “Taylorswift’s performance is different, especially when We are talking about red time.”
Among music critics, the response has also been generally positive.
He wrote the long-lost 10-minute version of “Everything is OK”, and he said that Swift “tore her own masterpiece to pieces, breaks it like a promise, shreds her tapestry, and rebuilds it into an order. A heartbroken new epic, twice as long and twice as crazy.”
However, he wrote: “A common initial impression, without producer Nathan Chapman, would be easier to fully reproduce something based on acoustics than when she first ventured into electronic pop music without Max Martin. Although the difference may be difficult for non-musicians. Swiftie’s ears are immediately heard.”
Nonetheless, he said, the collection of nine previously unreleased songs “has no real duds.”
“You hear it most clearly in spoken words, such as the withered depreciation of’we will never come back together’: “There are some indie records cooler than mine,” she wrote, and then added, “It’s a kind of eye A typical rolling moment of a young adult, although there is vim in the creation, but at these moments, the changes in lyrics and vocals in the 10 years since the first release of Swift are obvious. “
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