Taylor Swift releases “Red (Taylor’s Version)”, which is a re-recording of her 2012 classic album

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On Friday, the Grammy-winning singer released “Red (Taylor’s Version)”, a re-recording of her acclaimed 2012 album “Red” as part of her ongoing mission to regain ownership of early music .

Although the original album has 16 songs, “Red (Taylor’s Version)” is an epic 30 songs with music collaborations with Phoebe Bridgers, Gary Lightbody, Ed Sheeran and Chris Stapleton. It also includes 9 previously unreleased songs that did not become final products in 2012.

Guessing from reactions on social media, revisiting the past is not always a bad idea.

“I’m crying @taylorswift13 #RedTaylorsVersion. It’s amazing,” one fan wrote on Twitter, while another said: “Taylorswift’s performance is different, especially when We are talking about red time.”

Among music critics, the response has also been generally positive.

Rob Sheffield of Rolling Stone magazine awarded the album five stars, describing the project as “a tribute to her journey, but it makes you more excited about where she is going next .”

He wrote the long-lost 10-minute version of “Everything is OK”, and he said that Swift “tore her own masterpiece to pieces, breaks it like a promise, shreds her tapestry, and rebuilds it into an order. A heartbroken new epic, twice as long and twice as crazy.”

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According to Variety’s Chris Willman, Swift has benefited from the rejoining of almost all the original producers on the album.

However, he wrote: “A common initial impression, without producer Nathan Chapman, would be easier to fully reproduce something based on acoustics than when she first ventured into electronic pop music without Max Martin. Although the difference may be difficult for non-musicians. Swiftie’s ears are immediately heard.”

Nonetheless, he said, the collection of nine previously unreleased songs “has no real duds.”

NME’s Hannah Mylrea said in a four-star review entitled “Heartbreaking Remake” that 31-year-old Swift’s mature voice is the most significant change.

“You hear it most clearly in spoken words, such as the withered depreciation of’we will never come back together’: “There are some indie records cooler than mine,” she wrote, and then added, “It’s a kind of eye A typical rolling moment of a young adult, although there is vim in the creation, but at these moments, the changes in lyrics and vocals in the 10 years since the first release of Swift are obvious. “

Chris Stapleton won six CMA awards
“Red (Taylor’s Version)” is the second installment in Swift’s series of re-recording projects. In April of this year, she reached the top of the Billboard 200 chart with “Fearless (Taylor’s Version)”, which is an adaptation of her second album “Fearless” in 2008.
Swift previously announced plans to re-examine her early albums (from her eponymous debut in 2006 to “reputation” in 2017) in order to regain ownership of her works released under the former label Big Machine Records.
Superstar manager Scooter Braun, despite her objections, won the master recording of Swift’s first six albums in 2019.fast Confirm in Twitter post In November last year, these masters have been sold to Clover Holdings.
Following the release of “Red (Taylor Version)”, Swift Thanks fans Inspire her to rediscover her art and tell her 89 million Twitter followers: “If you don’t encourage me, I will never go back and remake my previous works. In the process, I find lost art and forgotten gems. Red Is about to be mine again, but it has always been ours. Now we start again.”




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