It is commendable that Marvel has cast a big net in trying to attract top talent. This strategy is certainly welcomed by its actors and provides theoretical prospects that bring new insights to its formula.
However, the reality is that the director’s ability to shape this type of material has its limitations. Although the “eternal family” tried to expand the Marvel template, the different reactions to the film—fans and critics based on early reactions—emphasized this challenge.
The name Marvel first appeared for a reason. Together with “Star Wars” and DC, it represents a specific muscle and effect-driven film production brand, which makes it difficult to make a unique mark on the project.
It can be said that when Lucasfilm initially recruited three different directors to supervise each of the latest “Star Wars” trilogy, it made a mistake because they were trying to adapt to these different visions. Arrived the buzz.
Similarly, these films differ from what Scorsese thinks are true “movies” in one key aspect: Marvel and “Star Wars” represent huge franchises, which inspire TV shows and theme park rides, and Selling merchandise to give back to the company’s parent company, Disney’s vault. These dynamics turn each movie into part of a larger puzzle, a puzzle that builds a guardrail for the director’s input.
Following these marching orders may not be suitable for every filmmaker, but at this point, no one can argue that they have no knowledge of how the system works, which requires guidance and giving them.
When it works, the relationship is mutually beneficial. Marvel used Zhao’s Oscars as part of the “Eternal Race” promotional activities and is obviously proud of this connection. Directors associated with small films have the opportunity to exercise different muscles on things that are better known and more profitable than well-polished independent gems.
Nevertheless, there is an old saying that goes like this, “If you take the king’s money, you give the king what you deserve.” In modern movie parlance, the relevant adage is when you take the mouse’s money. At that time, the big cheese there was ultimately the one who gave the order.
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